Tea House Theatre

“A rarity worth shouting about.” — Londonist

Winner of Time Out Love London Awards 2014, 2016 & 2018!
Winner of the Best Closed Cafe Award 2020!

WELCOME TO THE TEA HOUSE THEATRE

An independent tea house, theatre and events venue in the heart of Vauxhall.

Housed in a beautiful Victorian former pub beside the historic Vauxhall Pleasure Gardens, the Tea House Theatre is a place to eat, drink, meet, work, relax and be entertained.

By day, settle in for exceptional loose-leaf tea, hearty breakfasts, proper sandwiches, homemade cakes and freshly prepared food. By night, the Tea House comes alive with theatre, live music, jazz, poetry, murder mysteries and special events throughout the year.

We are trying to be different. We will not hurry you. If you visit us on your lunch break, then have one — take your time, enjoy your food and go back to work properly refreshed. If you want to have a meeting, we will leave you to it. If you are “working from home”, we have Wi-Fi and plenty of space to settle in.

If you have children, we have highchairs, a chest of toys and milkshakes. We always have the daily papers, so please relax, take a load off and share in what we are trying to create.

There is no rush, no corporate formula and — famously — no coffee. Just good tea, good food, conversation, creativity and a wonderfully individual atmosphere.

Come for breakfast or lunch, spend an afternoon over a pot of tea, join us for dinner and a show, or simply come in and have a cuppa.

Back to All Events

The New Sheridan Club

Admission: Free

 

Lord Rupert presents this most Chappist of action comedies, spoofing the Bulldog Drummond novels of the 1930s. Captain Hugh “Bullshot” Crummond (Alan Shearman)—WWI flying ace, Olympic athlete, racing driver and part-time sleuth—must save the world from the dastardly Count Otto von Bruno (Ronald E. House), his wartime adversary. And, of course, win the heart of the heroine (Diz White). 

Made by George Harrison’s Handmade Films the movie was directed by Dick Clement and produced by Ian La Frenais, the men best known for writing TV sitcoms such as The Likely Lads, Porridge and Auf Wiedersehen, Pet, but the writing credits here go to all three stars. The film was adapted from the 1974 stage play Bullshot Crummond, which played in London before being taken to America and filmed for TV. (According to Ron House’s website it still averages 60 productions a year; in 2012 Ron penned a sequel, Bullshot Crummond and the Invisible Bride of Death.)

The film is full of sterotypes of the genre—bald villains, absent-minded professors, femme fatale spies, etc, but just as much fun is had by undermining these traditions: despite his status as all-round hero, Crummond is more a destroyer than saviour, often saving the day through blundering accident rather than design. He keeps bumping into members of his old regiment, the Royal Loamshires, who were maimed by his incompetence (including Hawkeye MacGillicuddy—now blind—played by Billy Connolly). Although allegedly well-endowed, Crummond is something of a prude with ladies (“Is this seemly, Mrs Platt-Higgins? Playing popular music and your husband only ten years dead?”). Of course he is also capable of implausible feats of arcane skill—scaring off a giant octopus by mimicking the sound of an approaching whale, defusing a bomb with his hands tied using static electricity and brandy fumes and some unlikely marksmanship: “By rapidly calculating the pigeon’s angle of elevation in the reflection of your monocle, then subtracting the refractive index of its lens, I positioned myself at a complementary access…and fired. It was no challenge at all.”

 

Earlier Event: November 4
Debating Society
Later Event: November 14
Robert W. Service's Poetry Night